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Her cross-dimensional approach bridges technology, ancestral knowledge, and metaphysics, exploring how spiritual, electronic, and organic networks can serve as tools for decolonial healing and reconnection. Through a critical engagement with histories of technology and the architectures of power, she reimagines systems of communication, identity, and belonging beyond colonial and patriarchal frameworks.
Navigating digital, corporeal and ancestral memory as sites of resilience, she digs into scientific imaginaries to tackle the pervasive matrix of coloniality and the protocols of energetic misalignments that affect the songs of our body-mind-spirits. Inspired by quantum and cosmic mechanics, Tabita’s work is rooted in time-spaces where technology and spirituality intersect as fertile ground to nourish visions of connection and emancipation. Through screen interfaces and collective offerings, she reminds us to open our inner data centres to bypass. Rezaire lives and works in Cayenne, French Guiana, where she is currently studying agriculture and birthing AMAKABA - her vision for collective healing in the Amazonian forest. Tabita is devoted to becoming a mother to the world.
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featured artworks
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Editorial
Biography
Tabita Rezaire (b. 1989) is infinity incarnated into an agent of healing, who uses art as a means to unfold the soul. Her cross-dimensional practices envision network sciences – organic, electronic and spiritual – as healing technologies to serve the shift towards heart consciousness. Navigating digital, corporeal and ancestral memory as sites of resilience, she digs into scientific imaginaries to tackle the pervasive matrix of coloniality and the protocols of energetic misalignments that affect the songs of our body-mind-spirits.
Exhibitions
The exhibition explores the concept of the permacrisis and how radical acceptance and rage may be interconnected.
Taking a cue from the medium, the exhibition teases out deeper questions of visual consumption and creation, not only of the images we ingest, but also the countless worlds and realities reinforced by film. Some might argue the line between public and private has entirely dissolved through micro-videos and a cadence of clickbait. Then, perhaps, our sense of crisis is magnified by a medium and culture of hyper-real image making.