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The exhibition explores the concept of the permacrisis and how radical acceptance and rage may be interconnected.
Taking a cue from the medium, the exhibition teases out deeper questions of visual consumption and creation, not only of the images we ingest, but also the countless worlds and realities reinforced by film. Some might argue the line between public and private has entirely dissolved through micro-videos and a cadence of clickbait. Then, perhaps, our sense of crisis is magnified by a medium and culture of hyper-real image making.
